How to listen to great music: a guide to its history, culture, and heart
(Book)

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Author:
Greenberg, Robert, 1954-
Contributors:
Teaching Company
Status:
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Green Road Community - Adult Non-Fiction
781.1 GREEN
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North Regional - Adult Non-Fiction
781.1 GREEN
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More Details
Published:
New York, N.Y. : Plume Book, 2011.
Format:
Book
Physical Desc:
ix, 334 pages : illustrations, music ; 20 cm
Street Date:
1105
Language:
English
ISBN:
9780452297081, 0452297087

Notes

General Note
"The Great Courses"--Cover.
Bibliography
Includes bibliographical references (pages [323]-324) and index.
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Citations
APA Citation (style guide)

Greenberg, R. (2011). How to listen to great music: a guide to its history, culture, and heart. New York, N.Y., Plume Book.

Chicago / Turabian - Author Date Citation (style guide)

Greenberg, Robert, 1954-. 2011. How to Listen to Great Music: A Guide to Its History, Culture, and Heart. New York, N.Y., Plume Book.

Chicago / Turabian - Humanities Citation (style guide)

Greenberg, Robert, 1954-, How to Listen to Great Music: A Guide to Its History, Culture, and Heart. New York, N.Y., Plume Book, 2011.

MLA Citation (style guide)

Greenberg, Robert. How to Listen to Great Music: A Guide to Its History, Culture, and Heart. New York, N.Y., Plume Book, 2011.

Note! Citation formats are based on standards as of July 2022. Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy.
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Grouped Work ID:
43f6f784-2bd8-9577-627f-d327937a84c5
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Record Information

Last Horizon Extract TimeApr 11, 2024 07:49:31 PM
Last File Modification TimeApr 12, 2024 03:10:02 AM
Last Grouped Work Modification TimeApr 12, 2024 03:09:20 AM

MARC Record

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504 |a Includes bibliographical references (pages [323]-324) and index.
5050 |a Understanding and listening to music -- A mad dash through the roots of western music -- The music of the medieval church -- A necessary and invigorating excursion into the worlds of music theory and terminology -- Emotional exuberance and intellectual control : the paradox of Baroque art -- Play it, don't say it : the rise of instrumental music -- National styles : Italy and Germany (or Why German music will never hit your eye like a big pizza pie and Italian music will never go from best to wurst) -- Fugue it! -- Opera : the Baroque expressive revolution in action -- Opera goes to church -- A new liturgy comes of age : Lutheran Baroque sacred music -- Instrumental form in Baroque era music -- Baroque era musical genres -- Enlightened is as enlightened does : an introduction to the Classical era -- Putting it all together : Classical era musical form, part one -- Classical era musical form, part two -- Classical era orchestral genres, part one -- Classical era orchestral genres, part two -- Send in the buffone : opera in the Classical era -- A revolutionary artist for a revolutionary time : Ludwig van Beethoven -- Beethoven's compositional innovations : when the going gets tough, the tough innovate -- Isn't it Romantic? : the music of the nineteenth century -- Structural problems : formal challenges in early Romantic music -- Going beyond Beethoven : Hector Berlioz's Symphony fantastique and the program symphony -- Nineteenth-century Italian opera : Rossini and bel canto -- Giuseppe Verdi : it's all about the people... dramatic truth in Italian opera -- Nineteenth-century German opera : von Weber and Wagner, nationalism and experimentation -- Of thee I sing : musical nationalism in the nineteenth century -- Romantic nationalism, Russian style -- A modern music for a modern world -- Revolutions, evolutions, and "-isms" galore : the making of a new music in the early twentieth century -- From Russia with rhythm : Igor Stravinsky -- No waltz in the park : Arnold Schoenberg's Vienna and Expressionism -- Postlude.
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