The last painting of Sara De Vos
(Book)
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Status:
East Regional - Adult Fiction
SMITH
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More Details
Published:
New York : Sarah Crichton Books/Farrar, Straus and Giroux, 2016.
Format:
Book
Edition:
First edition.
Physical Desc:
290 pages ; 24 cm
Language:
English
ISBN:
9781250118325, 9781250118325, 9780374106683, 0374106681
Notes
General Note
"A novel"--Jacket.
Description
"This is what we long for: the profound pleasure of being swept into vivid new worlds, worlds peopled by characters so intriguing and real that we can't shake them, even long after the reading's done. In his earlier, award-winning novels, Dominic Smith demonstrated a gift for coaxing the past to life. Now, in The Last Painting of Sara de Vos, he deftly bridges the historical and the contemporary, tracking a collision course between a rare landscape by a female Dutch painter of the golden age, an inheritor of the work in 1950s Manhattan, and a celebrated art historian who painted a forgery of it in her youth. In 1631, Sara de Vos is admitted as a master painter to the Guild of St. Luke's in Holland, the first woman to be so recognized. Three hundred years later, only one work attributed to de Vos is known to remain--a haunting winter scene, At the Edge of a Wood, which hangs over the bed of a wealthy descendant of the original owner. An Australian grad student, Ellie Shipley, struggling to stay afloat in New York, agrees to paint a forgery of the landscape, a decision that will haunt her. Because now, half a century later, she's curating an exhibit of female Dutch painters, and both versions threaten to arrive. As the three threads intersect, The Last Painting of Sara de Vos mesmerizes while it grapples with the demands of the artistic life, showing how the deceits of the past can forge the present."--,Provided by publisher.
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Citations
APA Citation (style guide)
Smith, D. (2016). The last painting of Sara De Vos. First edition. New York, Sarah Crichton Books/Farrar, Straus and Giroux.
Chicago / Turabian - Author Date Citation (style guide)Smith, Dominic, 1971-. 2016. The Last Painting of Sara De Vos. New York, Sarah Crichton Books/Farrar, Straus and Giroux.
Chicago / Turabian - Humanities Citation (style guide)Smith, Dominic, 1971-, The Last Painting of Sara De Vos. New York, Sarah Crichton Books/Farrar, Straus and Giroux, 2016.
MLA Citation (style guide)Smith, Dominic. The Last Painting of Sara De Vos. First edition. New York, Sarah Crichton Books/Farrar, Straus and Giroux, 2016.
Note! Citation formats are based on standards as of July 2022. Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy.
Staff View
Grouped Work ID:
0771a0b8-24be-e954-9ae1-0db5d5872500
Record Information
| Last Horizon Extract Time | Apr 18, 2024 03:52:39 PM |
|---|---|
| Last File Modification Time | Apr 21, 2024 03:15:32 AM |
| Last Grouped Work Modification Time | Apr 21, 2024 03:13:54 AM |
MARC Record
| LEADER | 04053pam a2200601 i 4500 | ||
|---|---|---|---|
| 001 | 2015033152 | ||
| 003 | DLC | ||
| 005 | 20220912083600.0 | ||
| 008 | 150921s2016 nyu 000 1 eng | ||
| 010 | |a 2015033152 | ||
| 020 | |a 9781250118325 | ||
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| 245 | 1 | 4 | |a The last painting of Sara De Vos /|c Dominic Smith. |
| 250 | |a First edition. | ||
| 264 | 1 | |a New York :|b Sarah Crichton Books/Farrar, Straus and Giroux,|c 2016. | |
| 300 | |a 290 pages ;|c 24 cm | ||
| 336 | |a text|b txt|2 rdacontent | ||
| 337 | |a unmediated|b n|2 rdamedia | ||
| 338 | |a volume|b nc|2 rdacarrier | ||
| 500 | |a "A novel"--Jacket. | ||
| 520 | |a "This is what we long for: the profound pleasure of being swept into vivid new worlds, worlds peopled by characters so intriguing and real that we can't shake them, even long after the reading's done. In his earlier, award-winning novels, Dominic Smith demonstrated a gift for coaxing the past to life. Now, in The Last Painting of Sara de Vos, he deftly bridges the historical and the contemporary, tracking a collision course between a rare landscape by a female Dutch painter of the golden age, an inheritor of the work in 1950s Manhattan, and a celebrated art historian who painted a forgery of it in her youth. In 1631, Sara de Vos is admitted as a master painter to the Guild of St. Luke's in Holland, the first woman to be so recognized. Three hundred years later, only one work attributed to de Vos is known to remain--a haunting winter scene, At the Edge of a Wood, which hangs over the bed of a wealthy descendant of the original owner. An Australian grad student, Ellie Shipley, struggling to stay afloat in New York, agrees to paint a forgery of the landscape, a decision that will haunt her. Because now, half a century later, she's curating an exhibit of female Dutch painters, and both versions threaten to arrive. As the three threads intersect, The Last Painting of Sara de Vos mesmerizes while it grapples with the demands of the artistic life, showing how the deceits of the past can forge the present."--|c Provided by publisher. | ||
| 600 | 1 | 0 | |a Baalbergen, Sarah van,|d 1607- approximately 1638|v Fiction. |
| 650 | 0 | |a Women artists|z Netherlands|v Fiction. | |
| 650 | 0 | |a Painting, Dutch|y 17th century|v Fiction. | |
| 650 | 0 | |a Art|x Forgeries|v Fiction | |
| 650 | 0 | |a Art historians|v Fiction | |
| 655 | 7 | |a Historical fiction|2 lcgft | |
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