Writing down the bones
(Book)

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More Details
Published:
Boston, Mass. : Shambhala, 2010., Enfield :
Format:
Book
Edition:
Expanded edition with a preface and interview with the author ; first Shambhala library edition.
Physical Desc:
xv, 240 pages ; 18 cm.
Street Date:
201005
Language:
English
ISBN:
9781590307946 (hbk.), 1590307941

Notes

General Note
"Freeing the writer within"--Cover.
General Note
Previous edition: 2005.
Bibliography
Includes bibliographical references (pages 235-240).
Description
This new edition, which marks almost twenty years since the original book's publication, includes a new preface in which Goldberg expresses her trademark enthusiasm for writing practice, as well as a depth of appreciation for the process that has come with time and experience. Also included is an interview with the author in which she reflects on the relationship between Zen sitting practice and writing, the importance of place, and the power of memory.
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Citations
APA Citation (style guide)

Goldberg, N. (2010). Writing down the bones. Expanded edition with a preface and interview with the author ; first Shambhala library edition. Boston, Mass., Shambhala.

Chicago / Turabian - Author Date Citation (style guide)

Goldberg, Natalie. 2010. Writing Down the Bones. Boston, Mass., Shambhala.

Chicago / Turabian - Humanities Citation (style guide)

Goldberg, Natalie, Writing Down the Bones. Boston, Mass., Shambhala, 2010.

MLA Citation (style guide)

Goldberg, Natalie. Writing Down the Bones. Expanded edition with a preface and interview with the author ; first Shambhala library edition. Boston, Mass., Shambhala, 2010.

Note! Citation formats are based on standards as of July 2022. Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy.
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Grouped Work ID:
1c60af78-3268-ee68-35c2-9bfad7e1833b
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Record Information

Last Horizon Extract TimeApr 23, 2024 10:52:51 AM
Last File Modification TimeApr 24, 2024 03:11:36 AM
Last Grouped Work Modification TimeApr 24, 2024 03:09:57 AM

MARC Record

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500 |a "Freeing the writer within"--Cover.
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504 |a Includes bibliographical references (pages 235-240).
5050 |a Beginner's mind, pen and paper -- First thoughts -- Writing as a practice -- Composting -- Artistic stability -- A list of topics for writing practice -- Fighting tofu -- Trouble with the editor -- Elkton, Minnesota: whatever's in front of you -- Tap the water table -- We are not the poem -- Man eats car -- Writing is not a McDonald's hamburger -- Obsessions -- Original detail -- The power of detail -- Baking a cake -- Living twice -- Writers have good figures -- Listening -- Don't marry the fly -- Don't use writing to get love -- What are your deep dreams? -- Syntax -- Nervously sipping wine -- Don't tell, but show -- Be specific -- Big concentration -- The ordinaryand extraordinary -- Talk is the exercise ground -- Writing is a communal act -- One plus one equals a Mercedes-Benz -- Be an animal -- Make statements and answer questions -- The action of a sentence -- Writing in restaurants -- The writing studio -- A big topic: eroticism -- A tourist in your own town -- Write anyplace -- Go further -- Engendering compassion -- Doubt is torture -- A little sweet -- A new moment -- Why do I write?
5050 |a Every Monday -- More about Mondays -- Spontaneous writing booths -- A sensation of space -- A large field to wander in -- The goody two-shoes nature -- No hindrances -- A meal you love -- Use loneliness -- Blue lipstick and a cigarette hanging out of your mouth -- Going home -- A story circle -- Writing marthons -- Claim your writing -- Trust yourself -- The Samurai -- Rereading and rewriting -- I don't want to die.
520 |a This new edition, which marks almost twenty years since the original book's publication, includes a new preface in which Goldberg expresses her trademark enthusiasm for writing practice, as well as a depth of appreciation for the process that has come with time and experience. Also included is an interview with the author in which she reflects on the relationship between Zen sitting practice and writing, the importance of place, and the power of memory.
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